Funny videos search on YT
Top income on YT ? Eight-year-old Kaji got his start on the channel when he was just 3 years old by unboxing toys on camera. He’s matured to conducting science experiments and branched out beyond YouTube with a line of more than 100 toys, clothing items and more, a show on Nickelodeon and a deal with Hulu. High-minded programming can be found on YouTube—it just doesn’t make much money. YouTube’s ten highest earners brought in a total of $162 million between June 1, 2018, and June 1, 2019, including Ryan and Nastya, as well a five gamers who play popular titles like Minecraft and Fortnite. Dude Perfect (No. 2, with $20 million), features five thirtysomethings playing with adolescent toys like a giant Nerf ball, and Rhett and Link (No. 4, with $17.5 million), who perform food stunts like tasting Flamin’ Hot Cheetos-flavored Pop-Tarts.
It’s difficult to call Once Upon a Time in Hollywood by a single genre, but then again, isn’t that the case with most Quentin Tarantino films? However, we’d be remiss to not include “comedy” when talking about Tarantino’s ninth venture. Brad Pitt in particular offers up a hilarious performance in the film set against the summer of 1969. In particular there’s one scene with a dog, some LSD, and a couple of Manson family killers… damn. That doesn’t sound funny, but we swear, it’s hysterical.
This is a fake music video created by comedy hip-hop group, ?The Lonely Island. In case you’ve forgotten, these were the same funny guys who brought you hit song spoofs like “D*ck In A Box” and “Mother Lover.” The song features R&B singer Akon, performing with The Lonely Island members Andy Samberg and Jorma Taccone. You can also catch cameo appearances by celebrities Akiva Schaffer, Jessica Alba, Blake Lively, and John McEnroe. This sketch appeared on “Saturday Night Live” as a digital short in 2011. As the title suggests, the song is about some dorky guys who are very excited because they finally got to have sex. Find more funny clips on YT.
Best clip for a song in 2019 ? One of the year’s warmest success stories: when Georgia released Started Out, the first single from her second album for indie Domino, at the end of 2018, it became a surprise Radio 1 hit. So did its follow-up, About Work the Dancefloor, prompting the label to push her album to 2020 to give the singles time to breathe. AWtD is a fine teaser for a record that is worth the wait, showing off Georgia’s newfound focus on songcraft and the depth of her references as a producer (the satisfyingly meaningless title is her tribute to the robotic proclamations of Detroit techno forefathers Cybotron). Lacing the juddering pulse of adrenaline with her vulnerable vocal delivery, AWtD puts Georgia in the big, Robyn-shaped pop leagues.