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High quality media writers in 2021 and writing tricks? Netflix’s base plan now costs more than Hulu, at $8.99 per month. Netflix doesn’t run traditional ads on any of its content, but you need to pay more (at least $13.99 per month for the Standard plan) if you want to stream HD content and stream on more devices simultaneously. Paramount+’s ad-free tier is $9.99 per month, while HBO Max comes in at a much pricier $14.99 per month. Amazon Prime Video is at $8.99 per month. Shudder, a horror-focused streaming service, matches the price of Hulu’s ad-supported plan, but doesn’t show ads. Apple TV+ is cheaper than all of them at $4.99 per month. As for cable-replacement services, Hulu + Live TV costs the same as YouTube TV ($64.99 per month). Philo ($20 per month) and Sling TV’s Orange & Blue plans ($35 per month each or $50 together) are significantly cheaper. FuboTV starts at a slightly more affordable $59.99 per month, while AT&T TV’s entry-level tier is $69.99 per month, respectively. None of these services offer on-demand content libraries as complete as Hulu’s. You don’t necessarily need to pay to get video streaming entertainment. Our roundup of the best free video streaming services offers both on-demand services and those with preprogrammed channels. Apart from streaming Hulu on the web, you can download apps for mobile platforms (Android and iOS), media streaming devices (Apple TV, Chromecast, Fire TV, and Roku), smart TVs, and game consoles (PlayStation, Xbox One, and the Nintendo Switch). Hulu’s live TV tier is available on the PlayStation 4, but PlayStation 3 users are still out of luck when it comes to live TV. When you log in to Hulu for the first time, the service walks you through some personalization options in which you choose, channels, genres, and shows that appeal to you. Hulu uses this information to populate the My Stuff section of the web interface, a feature we discuss a bit later.
Hailed as a master guitarist, songwriter and vocalist, Keith Urban is one of the most successful country artists of the past two decades. Since the release of his American major label debut album in 1999, Urban has charted his own unique path in country music and influenced the genre along the way. Everything hasn’t always been perfect for Urban, however. It took him a little while to find his niche in the country world and he has dealt with addiction, which he overcame with the help of his wife, Nicole Kidman. Although Urban has been in the spotlight for many years, there are 10 facts about the singer that may be news to some fans. His fans know him as Keith Urban, but it turns out Urban’s real family name is slightly different than the last name he goes by. Urban was actually born Keith Lionel Urbahn, with an added ‘h’ in the name. While that small change likely doesn’t change the pronunciation of his name, it may surprise some fans. He was born on October 26, 1967 to his parents, Robert “Bob” and Marienne Urbahn, who owned a convenience store. He has one brother, Shane.
A chronicle of greed, status, and vanity, Bad Education shares more than a few qualities with Martin Scorsese’s financial crimes epic The Wolf of Wall Street, the story of another Long Island striver with slicked-back hair. Trading the stock market for the public education system, director Cory Finley’s wry docudrama, which takes its inspiration from a wild New York Magazinefeature from 2004, charts the tragi-comic downfall of Roslyn School District superintendent Frank Tassone (Hugh Jackman), a charming and beloved administrator in a rising wealthy area. When his assistant superintendent Pam Gluckin (Allison Janey) gets caught allowing family members to make personal charges using the school’s credit cards, Frank’s world of healthy smoothies, expensive suits, and gleeful deception begins to unravel. Using a high school newspaper reporter as an audience surrogate (Geraldine Viswanathan), the script withholds key details of Frank’s life for large sections of the runtime, allowing Jackman to give a performance that gradually reveals new layers of emotional complexity and moral emptiness. Like the tweezers Frank uses to dutifully pluck his nose hairs, the movie takes a surgical approach to its subject.
Gavin O’Conner (Miracle, Warrior) is modern cinema’s preeminent sports-drama director, a status he maintains with The Way Back, a conventional but deeply felt story about addiction, anger and the rough road of rehabilitation. Reuniting O’Conner with his The Accountant star, the film concerns Jack Cunningham (Ben Affleck), a former high-school basketball phenom who, in the wake of multiple familial losses, gets through his construction-work days and wayward nights with a perpetual drink in hand. By means of a job coaching his Catholic alma matter’s struggling team, Jack is blessed with a shot at salvation, turning around the fortunes of his players and, by extension, his own life. Subdued and melancholy, Jack’s journey is a familiar one, and yet O’Conner and Affleck – the latter turning in an expertly modulated, interior turn – shrewdly locate their protagonist’s alcoholism as the self-destructive byproduct of regret, resentment, fury and hopelessness. Also generating pathos from agonized father-son traumas, it’s a male weepy that, courtesy of its well-calibrated empathy, earns its melodramatic tears. Find extra info on https://mytrendingstories.com/lauren-spagnoletti. Streaming services started as an add-on to DVD and digital download offerings with a trickle of second-run movies and TV shows. They were supplements to the programs you watched on their first (and second) runs on cable TV. But speedier internet connections and an abundance of media streaming devices have accelerated the decline of traditional cable. More and more viewers are cutting the cord entirely in favor of dedicated streaming alternatives. Entertainment and tech giants are not blind to the threat, however, and the media landscape is rapidly changing. Consolidation and curation (that is, owning the most media properties and serving the best content) seem to be the overarching goals of the players involved.
Look, all you really need to know about this trippy H.P. Lovecraft update is that Nicolas Cage stars as a husband, father, and would-be farmer who owns and does a lot of shouting about alpacas. Or maybe what’s most important is that this throwback horror freak-out is the work of filmmaker Richard Stanley, making a long-in-the-works comeback over two decades after he was famously fired from the disaster that was The Island of Dr. Moreau. Either way, rest assured that things start going very poorly for the ill-fated family at its center, not to mention their animals, when a meteor crash-lands on their rural property and starts warping reality around it.
Andrew Patterson’s The Vast of Night is a marriage of the old and the new, blending effects-aided cinematic showmanship to old-school radio drama. In the director’s sterling feature debut (written by James Montague and Craig W. Sanger, and framed as an episode of a Twilight Zone-ish show called “Paradox Theater”), two 1950s high schoolers – confident radio DJ Everett (Jake Horowitz) and telephone operator Faye (Sierra McCormick) – stumble upon a strange signal that, they come to suspect, originates from the stars looming above their small-town-USA home. Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. At the same time, his centerpiece sequences are models of formal precision and depth, as protracted shots across sprawling fields, through crowded gymnasiums, and in and out of cramped buildings create pulse-pounding tension while simultaneously conveying the propulsive flow and binding, interconnected nature of narrative storytelling itself.
Peacock doesn’t yet support 4K streams or offline downloads, which is disappointing, but it does support three concurrent streams and parental control tools. You can download the Peacock app on mobile platforms (Android and iOS), media streaming devices (Android TV, Apple TV, Chromecast, and Roku), and gaming consoles (Xbox One and PlayStation 4). Peacock is not currently available on Amazon Fire TV. YouTube TV offers an excellent selection of live sports and news channels, as well as many popular entertainment options. A few of the top networks available include ABC, AMC, CBS, CNN, ESPN, Fox, FX, and NBC. It now features channels from the Discovery network and ViacomCBS, plus local PBS channels. Of course, this channel variety doesn’t come cheap; YouTube TV’s latest price hike raised the monthly subscription cost by $15. If YouTube TV’s library still doesn’t meet your needs, you can add other packages, such as Acorn TV, Curiosity Stream, and NBA League Pass to your subscription. The latest package, Entertainment Plus, bundles HBO Max, Showtime, and Starz for $30 per month. YouTube TV is also planning to launch several new new features: 4K streaming, support for an unlimited number of simultaneous streams, and offline viewing of DVR content. It is unclear when those features will be available and how much they will cost.